Showing posts sorted by relevance for query Spy. Sort by date Show all posts
Showing posts sorted by relevance for query Spy. Sort by date Show all posts

Monday, January 31, 2011

Spy Pelicula

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Susan Cooper (Melissa McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency's most dangerous missions. But when her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global disaster. (C) Fox

About Spy

Artist : Melissa McCarthy, Rose Byrne, Jude Law, Jason Statham
As : Bradley Fine, Tihomir Boyanov, Susan Cooper
Title : Spy Pelicula
Release date : 2015-06-05
Movie Code : 3079380
Duration : 117
Category : Action, Comedy, Crime


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Tom Russo Comment SpyName : Tom Russo / Alias : Boston Globe
Melissa McCarthy doesn't just adopt guises to fool the bad guys in "Spy." Part of what makes the action comedy such a loopy blast is the identity shifts she pulls on the audience.
Alonso Duralde Comment SpyName : Alonso Duralde / Alias : TheWrap
McCarthy and Byrne's scenes together are cruelly hilarious, with the kind of no-holds-barred insult humor that makes you instinctively drop your jaw and cover your mouth.
Rafer Guzman Comment SpyName : Rafer Guzman / Alias : Newsday
A breezy, enjoyable comedy, and an ideal vehicle for the endearing McCarthy.
Wesley Morris Comment SpyName : Wesley Morris / Alias : Grantland
In Spy, she's playing a caricature that is almost a complete character. The movie isn't out to humiliate her. It wants to prop up a version of heroism that makes sense for McCarthy.
Joe Neumaier Comment SpyName : Joe Neumaier / Alias : New York Daily News
The intel is in: Melissa McCarthy can carry a comedy. Specifically, "Spy."
Dana Stevens Comment SpyName : Dana Stevens / Alias : Slate
Spy lampoons sexism without abandoning sex-a tough tone for a comedy to strike but one that Feig and McCarthy manage to accomplish with both a sense of justice and a sense of humor.
Justin Chang Comment SpyName : Justin Chang / Alias : Variety
Melissa McCarthy gets the funniest, most versatile and sustained comic showcase of her movie career in this deliriously entertaining action-comedy.
Ann Hornaday Comment SpyName : Ann Hornaday / Alias : Washington Post
Feig's movies aren't particularly stylish - the visuals in "Spy" are serviceable at best, and the makeup is particularly un-subtle - but they possess a silly, sweet streak that makes them irresistibly infectious.
A.O. Scott Comment SpyName : A.O. Scott / Alias : New York Times
The busy, silly script allows Ms. McCarthy to be her own best sidekick, in effect an entire sketch-comedy troupe unto herself.
Moira MacDonald Comment SpyName : Moira MacDonald / Alias : Seattle Times
"Spy," plus popcorn, feels just right.
Tom Long Comment SpyName : Tom Long / Alias : Detroit News
McCarthy is not a one-size-fits-all talent; she needs the right vehicle. Here, Feig has given her precisely the right vehicle, and she shines.
Steven Rea Comment SpyName : Steven Rea / Alias : Philadelphia Inquirer
If a Spy sequel isn't already in the works, they better get cracking. Nefarious terrorists and numskull guys await.
Peter Howell Comment SpyName : Peter Howell / Alias : Toronto Star
One part parody, one part thriller, one part lethal satire of movie sexism.
J. R. Jones Comment SpyName : J. R. Jones / Alias : Chicago Reader
Hollywood is gradually figuring out what to do with Melissa McCarthy.
Richard Roeper Comment SpyName : Richard Roeper / Alias : Chicago Sun-Times
What does work, in every scene, is Melissa McCarthy's performance. She's as funny and as winning as anyone in the movies these days.
Colin Covert Comment SpyName : Colin Covert / Alias : Minneapolis Star Tribune
It's as if writer/director Paul Feig studied an Ian Fleming list of everything you're not supposed to do in a spy yarn, then did it all - thereby producing an excellent adventure movie so funny you can barely catch your breath between scenes.
Joe Williams Comment SpyName : Joe Williams / Alias : St. Louis Post-Dispatch
With the overlong, limp and lazy "Spy," Feig has lost his mojo.
Chris Nashawaty Comment SpyName : Chris Nashawaty / Alias : Entertainment Weekly
Put the woman in any damn thing she pleases. She's that good.
Peter Travers Comment SpyName : Peter Travers / Alias : Rolling Stone
McCarthy and director Paul Feig, are a dynamite team, with Feig's script a bonanza of zingers and femcentric subtext.
John DeFore Comment SpyName : John DeFore / Alias : Hollywood Reporter
Melissa McCarthy comes into her own as a comic star in Spy, stepping out from recent supporting- and co-headlining roles to become the big screen A-lister she promised to be in 2011's Bridesmaids.
Jesse Hassenger Comment SpyName : Jesse Hassenger / Alias : AV Club
Rare is the broad mainstream comedy that can goof on its bigger-budget Hollywood siblings while providing a few moments of sincere uplift.
Randy Myers Comment SpyName : Randy Myers / Alias : San Jose Mercury News
Feig draws out McCarthy's best, and she's up to the challenge, whether it's expressing tenderness and anger or slapsticking her way through the physical humor.
Andrew Lapin Comment SpyName : Andrew Lapin / Alias : NPR
Spy is actually quite funny. It even proves itself to be in the same league with the first two films in Feig's loose comic trilogy, Bridesmaids and The Heat .
Mark Olsen Comment SpyName : Mark Olsen / Alias : Los Angeles Times
"Spy" may not be a great movie, but it is great fun. And at times it will have you wondering if there's that much of a difference.
David Edelstein Comment SpyName : David Edelstein / Alias : New York Magazine/Vulture
Feig keeps throwing so much stuff at you - gross-out gags, chases, brutal violence, not to mention actors working their heads off - that he finally wears down your resistance.
Richard Brody Comment SpyName : Richard Brody / Alias : New Yorker
Melissa McCarthy shines in this clever action-comedy showcase provided by the writer and director Paul Feig, but the movie's tightly contrived plot and uniformly positive emotions constrain her comic genius.
Michael Phillips Comment SpyName : Michael Phillips / Alias : Chicago Tribune
The fun of "Spy" comes in watching the right actors mess with their own images, blithely.
Amy Nicholson Comment SpyName : Amy Nicholson / Alias : L.A. Weekly
Spy is a call to arms for the cowed, and a riotous skewering of the workplace kings
Liam Lacey Comment SpyName : Liam Lacey / Alias : Globe and Mail
Although this fish-out-of-water scenario might sound over-familiar, both the humour and action here are startling and visceral .
David Ehrlich Comment SpyName : David Ehrlich / Alias : Time Out
The tricksy plot allows McCarthy to explore the full range of her comic persona, and Feig is smart enough to get out of her way as the mild-mannered Susan starts wielding f-bombs as comfortably as Bond whips around a Walther PPK.
Kyle Smith Comment SpyName : Kyle Smith / Alias : New York Post
If they do a sequel (teased in the final seconds), they should cut down on the endless, tedious chases and shootouts.
Jake Coyle Comment SpyName : Jake Coyle / Alias : Associated Press
It's a globe-trotting tour of McCarthy's talent, throughout which she's practically always kicking butt. Who was that double-O-what's-his-face, anyway?
Bob Mondello Comment SpyName : Bob Mondello / Alias : NPR
Feig's cheerfully feminist script makes only as much sense as it absolutely must, while providing McCarthy with chances to crack wise, show vulnerability and class, and do some of the more elegant pratfalls you'll have seen in a while.
Andrew O'Hehir Comment SpyName : Andrew O'Hehir / Alias : Salon.com
McCarthy has much more to discover about herself as an actor and an avatar and a cultural signifier, and I hope she doesn't get trapped by one role, one genre or one franchise. But her campaign of conquest is going well.
Stephen Whitty Comment SpyName : Stephen Whitty / Alias : Newark Star-Ledger
[It] does have its moments, and it does have McCarthy. And while it's not worth much more than a rent, it does make us look forward to what she's going to do with "Ghostbusters."
Mick LaSalle Comment SpyName : Mick LaSalle / Alias : San Francisco Chronicle
Everyone involved seems to have had a good time with "Spy," and so will the audience.
Bill Goodykoontz Comment SpyName : Bill Goodykoontz / Alias : Arizona Republic
Finally, after the promise shown in "Bridesmaids" but sold short since by weak scripts in films like "Tammy" and "Identity Thief," Melissa McCarthy gets a movie vehicle worthy of her talents.
James Berardinelli Comment SpyName : James Berardinelli / Alias : ReelViews
The characters are one-dimensional. The narrative is flat and obvious.


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Tuesday, October 29, 2013

Gold Cine Gratis

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The epic tale of one man's pursuit of the American dream, to discover gold. Kenny Wells, a modern day prospector desperate for a lucky break, he teams up with a similarly eager geologist and sets off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street. The film is inspired by a true story.

About Gold

Artist : Matthew McConaughey, Edgar Ramirez, Bryce Dallas Howard, Corey Stoll, Toby Kebbell
As : Kenny Wells, Michael Acosta, Kay, Brian Woolf, Jennings
Title : Gold Cine Gratis
Release date : 2016-12-25
Movie Code : 0071566
Duration : 90
Category : Drama


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Comment For Gold Peliculas Infantiles Gratis

Tom Maurstad Comment GoldName : Tom Maurstad / Alias : Dallas Morning News
Watching Austin Powers in Goldmember is like binging on cotton candy. It's sweet and fluffy at the time, but it may leave you feeling a little sticky and unsatisfied.
Clarence Tsui Comment GoldName : Clarence Tsui / Alias : Hollywood Reporter
Golden Kingdom's theological backbone is fleshed out by a warm and endearing portrayal of its characters' childhood innocence.
Dennis Lim Comment GoldName : Dennis Lim / Alias : Village Voice
Star/writer Mike Myers and director Jay Roach struggle visibly with exhausted possibilities and diminishing returns.
Jeff Strickler Comment GoldName : Jeff Strickler / Alias : Minneapolis Star Tribune
The third installment in the series of super-spy spoofs, it's handcuffed by the ever-increasing load of baggage it carries.
Desson Thomson Comment GoldName : Desson Thomson / Alias : Washington Post
One-ups the Austin Powers sequel that came before it.
Eric Harrison Comment GoldName : Eric Harrison / Alias : Houston Chronicle
Austin Powers in Goldmember is a cinematic car wreck, a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride.
Ken Jaworowski Comment GoldName : Ken Jaworowski / Alias : New York Times
Approaching the story for the traditional trappings - narrative, action, even logic - is to ensure disappointment. But look to it for beauty and lyricism, and you may find a deeper satisfaction.
Paul Clinton (CNN.com) Comment GoldName : Paul Clinton (CNN.com) / Alias : CNN.com
It's amusing, but you may find that you're over it.
Andrew Sarris Comment GoldName : Andrew Sarris / Alias : New York Observer
It's all amateur-night vaudeville and movies within movies that degenerate into total inanity.
Steven Rosen Comment GoldName : Steven Rosen / Alias : Denver Post
With so many impersonations to keep track off, director Jay Roach winds up moving between Myers and Myers so often that the editing feels like a crude cut-and-paste job.
Moira MacDonald Comment GoldName : Moira MacDonald / Alias : Seattle Times
Not much else in this third Austin Powers sequel is new or memorable.
Bill Muller Comment GoldName : Bill Muller / Alias : Arizona Republic
The result plays like a series of skits, but the gags are so funny that it works anyway.
Craig D. Lindsey Comment GoldName : Craig D. Lindsey / Alias : Village Voice
The movie meanders (Perkins seems as distractingly lost as Frost), but it can stir real sympathy.
Geoff Pevere Comment GoldName : Geoff Pevere / Alias : Toronto Star
This is a movie that's trying in too many senses of the word.
Neil Young Comment GoldName : Neil Young / Alias : Hollywood Reporter
Sometimes all a documentary needs is one strong, charismatic personality to keep things watchable: Garnet's Gold boasts two in the form of the middle-aged eponymous protagonist and his feisty octogenarian mother.
Peter Travers Comment GoldName : Peter Travers / Alias : Rolling Stone
All praise to Michael Caine, who plays Austin's studly spy daddy, Nigel, and to Beyonce Knowles, who turns on Pam Grier sass as agent Foxxy Cleopatra. But hit-and-miss skits trying to pass as a coherent time-traveling plot reduce them to bystanders.
Liam Lacey Comment GoldName : Liam Lacey / Alias : Globe and Mail
Even if the gag-to-wince ratio isn't high, there are enough punchlines thrown here to make a sphinx smirk.
Terry Lawson Comment GoldName : Terry Lawson / Alias : Detroit Free Press
The '60s satire that made the first movie such a hip trip is now just so much polka-dotted wallpaper; the jokes are now almost exclusively confined to orifices and excretions.
David Edelstein Comment GoldName : David Edelstein / Alias : Slate
It's an ode to indecent joy.
Richard Roeper Comment GoldName : Richard Roeper / Alias : Ebert & Roeper
I think this is the funniest of the three movies and I liked the first two.
Kenneth Turan Comment GoldName : Kenneth Turan / Alias : Los Angeles Times
Myers' idea of a movie turns out to be similar to Ed Sullivan's idea for a variety show: Toss in a little bit of everything and hope for the best.
Jonathan Foreman Comment GoldName : Jonathan Foreman / Alias : New York Post
Uneven, self-conscious but often hilarious spoof.
Todd McCarthy Comment GoldName : Todd McCarthy / Alias : Variety
The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.
Michael Wilmington Comment GoldName : Michael Wilmington / Alias : Chicago Tribune
A shapeless, derivative-but-funny show.
Glenn Lovell Comment GoldName : Glenn Lovell / Alias : San Jose Mercury News
A 14-carat stinker, delivered with little sense of fun and less inspiration.
Carrie Rickey Comment GoldName : Carrie Rickey / Alias : Philadelphia Inquirer
Despite the firecracker energy of Beyonce Knowles, on hand as Foxxy Cleopatra, a tribute to bootylicious blaxploitation babe Pam Grier, the film is almost a complete fizzle.
Charles Taylor Comment GoldName : Charles Taylor / Alias : Salon.com
Structurally and formally, Goldmember is a mess. What saves it is that Myers possesses in spades the thing that's crucial for comedy: an absolute lack of embarrassment and the willingness to go with his gut instinct.
Guy Lodge Comment GoldName : Guy Lodge / Alias : Variety
An impressively disciplined, occasionally transporting debut feature from globe-trotting American helmer Brian Perkins.
Mike Clark Comment GoldName : Mike Clark / Alias : USA Today
The Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.
Eleanor Ringel Gillespie Comment GoldName : Eleanor Ringel Gillespie / Alias : Atlanta Journal-Constitution
The reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies.
Mark Olsen Comment GoldName : Mark Olsen / Alias : L.A. Weekly
Myers' puppy-dog tenacity to that cast-iron tenet of low comedy, disarming and even somewhat charming in the first film, now has an air of careerist desperation about it.
Susan Stark Comment GoldName : Susan Stark / Alias : Detroit News
Austin and Dr. Evil remain the most inventively detailed characters played by the franchise's star, guiding light and principal beneficiary. He's cheerful and energetic as ever.
Stephen Hunter Comment GoldName : Stephen Hunter / Alias : Washington Post
The level of inventiveness remains high.
Mick LaSalle Comment GoldName : Mick LaSalle / Alias : San Francisco Chronicle
Goldmember delivers.
James Berardinelli Comment GoldName : James Berardinelli / Alias : ReelViews
Qualities that were once amusing are becoming irritating.
Michael Rechtshaffen Comment GoldName : Michael Rechtshaffen / Alias : Los Angeles Times
At its most absorbing, Lasseter's story plays like an Aussie Treasure of the Sierra Madre, in which the main subject is a bit of a cypher whose true nature proves to be as difficult to pinpoint as that elusive gold.
Ty Burr Comment GoldName : Ty Burr / Alias : Boston Globe
The most consistently funny of the Austin Powers films.
Roger Moore Comment GoldName : Roger Moore / Alias : Orlando Sentinel
The whole enterprise collapses from exhaustion about two-thirds of the way through. Still, a staggering number of the gags that Myers and Co. fling against the screen stick.
Roger Ebert Comment GoldName : Roger Ebert / Alias : Chicago Sun-Times
The movie is a little tired; maybe the original inspiration has run its course.
Lisa Schwarzbaum Comment GoldName : Lisa Schwarzbaum / Alias : Entertainment Weekly
Mike Myers and Austin Powers may stick to their old Beatle boots, but they've both come a long way, luvvy.
John Anderson Comment GoldName : John Anderson / Alias : Newsday
Goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse.
Kirk Honeycutt Comment GoldName : Kirk Honeycutt / Alias : Hollywood Reporter
The misses outweigh the hits by a wide margin.
Stephen Holden Comment GoldName : Stephen Holden / Alias : New York Times
When a movie is as down-and-out funny as Austin Powers in Goldmember, it's easy to overlook the missed opportunities and fizzled jokes littering the barrage of hilarity.
Connie Ogle Comment GoldName : Connie Ogle / Alias : Miami Herald
The Austin Powers films have never, ever been anything approaching high-brow, but the uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes.


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